• South
  • Iceland
    • Pandemic 0-100
    • Pandemic 101-200
    • Pandemic 201-300
    • Pandemic 301-400
    • Pandemic 401-500
    • Petrified Wood Abstracts
    • North
  • Learn to Shoot
  • Blog
    • Books and Cards
    • Fine Prints
    • Classes
    • About Joe
    • Sign up for the monthly newsletter
    • Contact
Menu

Joe Decker

nature photographer
  • South
  • Iceland
  • Pandemic Portfolio
    • Pandemic 0-100
    • Pandemic 101-200
    • Pandemic 201-300
    • Pandemic 301-400
    • Pandemic 401-500
  • More Images
    • Petrified Wood Abstracts
    • North
  • Learn to Shoot
  • Blog
  • The Store
    • Books and Cards
    • Fine Prints
    • Classes
  • About
    • About Joe
    • Sign up for the monthly newsletter
    • Contact

Joe Decker

Joe Decker is a California-based nature photographer, author and educator focusing on the power and beauty of the high latitudes.


Subscribe!

Sign up to get these posts delivered directly to your inbox.

Thank you!

Latest and Greatest:

Blog
Mono Portfolio #1 Announced
Mono Portfolio #1 Announced
about 2 years ago
Hall of Bergs, 2016
about 4 years ago
Dawn on Tabular Icebergs, 2016
about 4 years ago
2017 Holiday Cards Now Available!
2017 Holiday Cards Now Available!
about 7 years ago

Once a year I produce a one-time print run of holiday cards with a winter-themed image, and ... it's that time again. This singular King Penguin from St Andrews Bay on South Georgia Island overlooks a warm misty sunrise and 150,000 of his closest friends....

KALEID show: Reception Friday, Feb 3, starting at 7pm
KALEID show: Reception Friday, Feb 3, starting at 7pm
about 8 years ago

Fresh Tweets:


Snags in Mist

June 23, 2015

Working with fog, steam and mist is always a fascinating and challenging task, from moment to moment the amount of mist in any given part of a location changes, affecting the relationship between foreground and background, changing the saturation and tones. I often feel that I have to let go of my desire to hunt the perfect moment, and instead fish for it, trying a number of variations and images over time and using my virtual light box to complete the selection of the optimal frame. 

Of course, careful post-processing is also an issue. Color balance is going to matter mightily in an image like this, here, I've captured the warm/cool contrast that I felt in the situation--a warmer white balance would have created a differently beautiful image, but (to my eye) a less interesting one. A little work to ensure the delicate tonal shifts in the marbled orange highlights were captured also required a bit of nuance with the Lightroom development controls, I continue to remain grateful to Charlie Cramer for his insights into strategies for LR highlight control, they were, as they so often are, key to getting this image where I personally wanted it to be.

← Liminal SeasonalityOne Foggy Morning, Yellowstone →
Back to Top

         © Copyright 2001-2021 Joe Decker, all rights reserved.